Course Search Results

  • FILM 2945: Spec Topics F&MA

    1.00 - 4.00 Credits
    University of Utah

    A variety of topics in film and/or media arts are covered: e.g., software, film/video technique, production design, distribution, etc. Content varies each semester.
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  • FILM 3100: Intro to Doc Studies

    3.00 Credits
    University of Utah

    A survey course on the documentary from an interdisciplinary perspective. Topics include: constructing the narrative, the photographic documentary, the film documentary, and architectural and scientific documentation.
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  • FILM 3140: Documentary Film Hist

    4.00 Credits
    University of Utah

    A critical and historical analysis of documentary film art that focuses on techniques, styles, and theories through lecture, discussion, and the viewing of film selections. Not a production course.
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    General Education Course

  • FILM 3150: Experimental Film Hist

    4.00 Credits
    University of Utah

    A critical and historical analysis of experimental film art that focuses on techniques, styles, and theories through lecture, discussion, and the viewing of film selections. Not a production course.
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  • FILM 3160: Animation Film History

    4.00 Credits
    University of Utah

    A critical and historical analysis of animated film that focuses on techniques, styles, and theories through lecture, discussion, and the viewing of film selections. Not a production course.
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  • FILM 3170: Japanese Anime

    4.00 Credits
    University of Utah

    This class introduces anime, Japanese animation, including its history, genres, and cultural and social contexts. Through critical analyses, reflections, and interpretations of anime, this class provides its participants an understanding of postmodern visual culture, examining issues of globalization, visual simulation, nature and technologies, spectators' subjectivity, and representation of gender and sexuality.
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  • FILM 3180: Korean Cinema

    4.00 Credits
    University of Utah

    Following the end of the Korean War in 1953, South Korea rapidly developed from one of the poorest nations in the world under a military dictatorship into an economic powerhouse that embraced democracy. The transformation of the nation is keenly reflected through the national cinema. This course examines how the cultural, social, and political issues and events that have transpired across the decades have informed the formation of the Korean cinema industry, as well as the cinematic output. Through lectures, seminars, and screenings, students will explore the political and cultural issues from the 1950s until today, and how such events informed the cinema industry as well as leading to cinematic trends and output. Students will critically engage with key films from Korean cinema history, examining how such films reflect and explore the issues of the respective era, in order to more fully understand how Korean cinema has evolved into its current contemporary state.
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  • FILM 3210: Amer Film & Culture

    4.00 Credits
    University of Utah

    Development of dominant narrative patterns in American cinema from silent films to the present, with particular attention to how these films reflect values and ideas in American art and culture.
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  • FILM 3250: Developing World Cinema

    4.00 Credits
    University of Utah

    Examines specific periods in the film history of World Cinema from a cultural and/or historical perspective.
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  • FILM 3270: Foreign Eye

    4.00 Credits
    University of Utah

    From its earliest days cinema has been the result of cross-border cooperation and the movements of its practitioners. In addition, some of the most perceptive cinematic images of societies have been made by those excluded or marginalized by such societies of foreign to them. Thus ex-patriot filmmakers have been significant parts of many national film industries-both those they join and those from which they hail. The goal of this class is to explore film making traditions and styles from a number of diverse cultures, as they interact with each other in the context of exiled and diasporic film makers.
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